Second Love in Hong Kong shares a common theme in the art works of Christelle and Apichatpong – a minimalist portrayal of hybrid fiction/non-fiction landscape. Here the filmmakers focus on an imaginary character named Hong (Swan) who travels from Thailand to Hong Kong for a housemaid job. The tale is taken from a comic book of the same title and is chosen among the thousands of romance comics that are widely read by Thai workingwomen, mostly underprivileged.